![]() ![]() ![]() Synths also come with a vast library of presets. Going over to synths, there are two analog-inspired Oscillators, as well as the Noise oscillator and an LFO. You can somewhat turn the voice coloration towards the desired type of vowel, even blend a few different types of vowels together. What’s more, Biovox has an advanced view which gives even more controls, like the “Vowel” pad. There are controls for formant shift, “Breathiness,” “Clarity,” and “Nasality.” The clarity control here tweaks the balance between the original vocal signal and the carrier synth signal. Well, it won’t alter your vocal cords and other parts but will help you change the singing style to some extent. The main idea here is to help alter the complete vocal tract. ![]() The addition of the Biovox module is pretty exciting. What’s more, you can use external MIDI instruments for controlling internal synths and adding harmonies. Polyvox, on the other hand, does harmonies and pitch correction. So we have Vocoder, Polyvox, Compuvox, Biovox, and Talkbox.Īll except Polyvox have their input signal modulating the carrier synths in the Auto mode or can work in the so-called “Sidechain” mode. VocalSynth 2 comes with five modules, or engines, onboard. In the end, both the dry and processed signal are blended in the final mixing process. This altered signal is then sent to the section filled with the classic “stompbox-style” effects. The signal first goes through the Pitch Correction part, and then into the full library of different synth-like effects. ![]()
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